copyright

Licensing, The Right Footage

The Ups and Downs of Finding Footage from YouTube for Your Productions


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For amateur and professional filmmakers and content producers alike, YouTube has become for many, the first place to go when looking for footage of a range of topics past and present.

The sheer volume of material uploaded to YouTube, as well as the perception ease-of-use offered by the search engine interface, have changed the way we think about finding visual material both for consumption as well as professional productions.

However, for filmmakers seeking to use material found on YouTube in their final cut, here are a few of the ‘ups and downs’ of researching on the world’s most popular video platform. (más…)

Documentary Productions, Licensing, The Right Footage

Fair Use in Documentary: Understanding the Costs


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‘Fair use’ is a term used in the media industries in many countries. However in the United States, ‘fair use’ refers to the doctrine in US copyright law allowing the use of short verbatim excerpts of copyrighted material for a range of “transformative” purposes such as criticism, news reporting, teaching, research, and even parody without permission from the copyright holder. Countries such as the UK and France have their own fair use laws with specific language and guidelines, but these are ultimately quite similar in purpose to American fair use doctrine. In countries where fair use is permitted, this legal framework can be a valuable tool for filmmakers, especially fair use in documentary. However, in some cases, claiming fair use on footage used in a project can present editorial and aesthetic constraints, as well as pose a legal and financial burden to a production.

Here are a few things to remember when considering claiming fair use of copyrighted footage in film and television productions. (más…)

Licensing, The Right Footage

6 Ways to Optimize your Archive Footage Budget


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Since creating Archive Valley we’ve spoken to hundreds of professional archive researchers as well as producers seeking to either use archive footage in their production for the first time, or to step up their archive research and footage licensing game for a particularly archive-heavy production. Budgeting is a clear concern for anyone seeking to produce unique content featuring archival material and one that can be difficult to navigate, especially for newcomers to this booming genre.

Here are six tips we’ve learned from speaking to archive researchers around the world to help you come in on budget and make it to picture lock with archive footage that brings your story to life. (más…)

Archive Valley, The Right Footage

Archives and the Future of Documentary: Industry Insight from DocNYC


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From November 9th to 16th this year, the documentary industry converged on New York City for DocNYC, a festival dedicated to the documentary craft that the Wall Street Journal has recently called “an essential summit for all kinds of documentary filmmaking.” The Archive Valley team went to New York to meet with filmmakers – from documentary veterans to up-and-coming talent – and to take the pulse of the industry. This year’s edition and industry program was a great opportunity for discussion around archive-driven films, which featured prominently in the the past few editions.  (más…)

Archive Valley, Licensing

Archive Industry Insight from the 2017 DMLA Conference in New York


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At the Digital Media Licensing Association conference we got to take the pulse of the licensing business and hear from footage research and licensing professionals about the specific challenges we face in our industry and some tips for effective licensing. Though professional archive researchers for the film and TV industry have connections with footage libraries they’ve built over the years, directors are relying more and more on YouTube links, and not all productions have access to professional researchers. A panel discussion led by FOCAL International‘s Mary Egan gave some industry pros a chance to share their thoughts.  (más…)