Sheffield Doc/Fest is UK’s biggest documentary festival welcoming 32,700+ visitors each year, including more than 3,500 industry professionals from over 60 countries. In addition to the rich and diverse film screening program, the festival offers tons of great events dedicated to the innovation, craft and business of the documentary industry. Attended by many archival producers and researchers, the topic of archive footage use will be featured in the screening program, in addition to several talks. We’ve prepared a quick guide highlighting everything dedicated to archives at this year’s festival.
When researching archive footage for use in audiovisual productions, there are a few types of legal agreement used by archive footage vendors or institutional collections that outline for content producers: a) the rights and liabilities associated with the use of archive footage, b) the costs associated with licensing material and/or obtaining hi-res copies, and c) the legal jurisdiction of the agreement. These agreements often also detail any rights not covered in the agreement and for which the licensor is liable – and thus responsible to clear on their own.
Suffice it to say that understanding these documents is primordial for anyone who wishes to use archival footage in their productions. It can be complicated and is usually best left to a specialist archive producer, but for those going it on their own, here is a quick(ish) rundown. (more…)
Archive Valley was thrilled to attend MIPDoc 2018. The event, dedicated to non-fiction programming, hosts 700 participants from over 50 countries—making it a perfect stage for Archive Valley to showcase our passion for archival footage and research. Our CEO Melanie Rozencwajg worked with an amazing team behind the event to organize and lead a panel discussion about the enormous potential of rare archives, and how they empower storytelling through unique global perspectives. The title of the panel was “Archives & Storytelling: Unearthing Unique Footage at a Global Scale.”
We have prepared for you a short selection of films from this year’s edition of HotDocs that we expect to showcase some of the best work in the field of archive research in 2018. With the full line-up published, it was easy to spot the productions that rely on the meticulous research of both personal and external archive sources. Some of the productions will have their World/North American premieres making the festival a truly special moment for the filmmakers and researchers behind them. The selected films come from very different places, periods, each with a unique personal narrative making a great complete watching experience if you want to see all of them (something that we definitely will).
We’ve all encountered stock footage whether in advertisements, or even in documentary films: ready-made footage that is used by a creator to illustrate part of a narrative or to create a certain aesthetic. However, though archive footage technically serves the same role, there are some fundamental differences between stock and archive footage that are important when trying to understand pricing, and the rights required to use the footage.
In other words, when producing a program for film or television, when am I searching for “stock,” and when is it seeking out “archive footage?” (more…)