archive researcher

Archive Researchers, Rare footage

Thinking the Future of Archive Research with Fabrice Héron

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French Archive Researcher Fabrice Héron

For French iconographer and archive researcher Fabrice Héron, the job of archive researchers is “at the crossroads between [that of] historian and journalist.”

Getting his start in archival work during his studies at France’s Institut National Audiovisuel (INA) and while working at the media library at France Televisions, Héron has since built a career spanning over twenty years researching hundreds of subjects for television, feature documentary and feature fiction films from Attentats: Le visage de la terreur for France 3 to Nabil Ayouch’s Razzia, as well as consulting with publishers, museums and galleries. One of his recent projects had him researching and clearing amateur and professional footage from the 2011 protests that sparked the ongoing Syrian civil war. My Favorite Fabric directed by Gaya Jiji and produced by Gloria Films, will be presented in the Official Selection for ‘Un Certain Regard’ at the 2018 Festival de Cannes.

We caught up with Fabrice to learn about his latest work and hear his thoughts on the future of archival research in the television and film industries in France and beyond. (more…)

Archive Valley, The Right Footage

Archives and the Future of Documentary: Industry Insight from DocNYC

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From November 9th to 16th this year, the documentary industry converged on New York City for DocNYC, a festival dedicated to the documentary craft that the Wall Street Journal has recently called “an essential summit for all kinds of documentary filmmaking.” The Archive Valley team went to New York to meet with filmmakers – from documentary veterans to up-and-coming talent – and to take the pulse of the industry. This year’s edition and industry program was a great opportunity for discussion around archive-driven films, which featured prominently in the the past few editions.  (more…)

The Right Footage

A “Long Strange Trip” with Archival Producers Annie Salsich & Jim McDonnell

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Bob Weir and Jerry Garcia recording an early album in 1966. Photo courtesy of Roberto Rabanne.

The summer of 2017 marks the 50th anniversary of “The Summer of Love,” when over 100,000 people, largely consisting of post-beat-generation youth who came to be known as “hippies,” converged on San Francisco’s Haight-Ashbury Neighborhood. The summer came to be defined by experimental rhetoric against the government, experimental drugs consumed by fans and musicians alike, and experimental music, performed at festivals like the now-legendary Monterey Pop Festival by groups like The Who, The Grateful Dead, The Animals, Janis Joplin, and Jimi Hendrix. The 50th Anniversary of the Summer of Love also coincides with the Anniversary of the Grateful Dead’s exponential rise to fame, as masterfully portrayed in Amir Bar-Lev’s six-part documentary on the band, “Long Strange Trip,” executive produced by Martin Scorsese and released in January 2017.  (more…)

The Right Footage

Tribeca Film Festival Announces 2017 Documentary Lineup

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Tribeca debuts unseen footage of the 1992 L.A. riots

Twenty-five years after the Rodney King verdict, Tribeca 2017 kicks off this weekend with searing archival news images and unseen footage of the 1992 LA riots with the world premiere of LA 92.  Academy Award co-directors and co-cinematographers Dan Lindsay and T.J. Martin of Undefeated are back again to narrate the unforgettable beating of Rodney King and the riots that ensued costing more than $1 billion dollars in damage and fifty lives.  Opting against voiceovers, the film seamlessly strings together archive footage, sound bites from politicians, and unseen on-the-ground videos from 1992 that make for a staggering account of the riots.  As a National Geographic world release, LA 92 is just one of the big name films that Tribeca enthusiasts have been anticipating.  (more…)

Archive Researchers

Featuring: Matthew Fisher, Miami

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How did you become an archive researcher?

I owe my career to Martin Scorsese. I was watching the 2005 Academy Awards and Scorsese was presenting Roger Mayer with the Jean Hersholt Humanitarian Award. The video package mentioned how Mayer was the founding chair of the National Film Preservation Foundation. At the time I was a sophomore studying film history and theory at the University of Florida but knew absolutely nothing about film archives. I looked up the NFPF’s website and found a link to archives that had received grants, which included the Lynn and Louis Wolfson II Florida Moving Image Archive in my hometown of Miami, Florida. I inquired about a summer internship and was fortunate to work with Lou Ellen Kramer (who is still there) and then-curator/preservationist Barron Sherer, who taught me about researching, cataloging and screeners, as well as how to clean, splice, store, transfer and preserve film and videotape.  (more…)