The Beatles: Eight Days a Week

The Right Footage

A “Long Strange Trip” with Archival Producers Annie Salsich & Jim McDonnell


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Bob Weir and Jerry Garcia recording an early album in 1966. Photo courtesy of Roberto Rabanne.

The summer of 2017 marks the 50th anniversary of “The Summer of Love,” when over 100,000 people, largely consisting of post-beat-generation youth who came to be known as “hippies,” converged on San Francisco’s Haight-Ashbury Neighborhood. The summer came to be defined by experimental rhetoric against the government, experimental drugs consumed by fans and musicians alike, and experimental music, performed at festivals like the now-legendary Monterey Pop Festival by groups like The Who, The Grateful Dead, The Animals, Janis Joplin, and Jimi Hendrix. The 50th Anniversary of the Summer of Love also coincides with the Anniversary of the Grateful Dead’s exponential rise to fame, as masterfully portrayed in Amir Bar-Lev’s six-part documentary on the band, “Long Strange Trip,” executive produced by Martin Scorsese and released in January 2017.  (more…)

The Right Footage

Eight Days a Week: An Interview with Matt White


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Matt White is the Managing Partner of Sutton Hoo Studios, a production company specializing in the development of historical documentaries from distressed analog archival artifacts.  He founded the WPA Film Library in 1986, and has held senior management positions at National Geographic TV & Film and The Corporation of Public Broadcasting, where he was responsible for The American Archive initiative. He was a founder and the first President of ACSIL, a global association of leading film & video archives, and also a founding committee member of the United Nation’s initiative “Archives at Risk”, which advocates for the preservation of distressed audio-visual archives throughout the world. A prolific archive producer himself, White recently led the massive 10-year-long, worldwide archive research effort for the 2016 documentary “The Beatles: Eight Days a Week” directed by Ron Howard – an innovative project driven by rare footage sourced from all over the world.  (more…)

Archive Researchers

Featuring: Naomi Hall, Sydney


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How did you become an archive researcher?

I had been working in London in the advertising industry during the 1980s, and somehow progressed on the research area. Then I was given a job offer from a stock footage company in Sydney, which caused me to move into the film and television sector, eventually breaking away to do freelance content research.  (more…)