Interview with Rich Remsberg, on his work for the latest Netflix docuseries ‘Bobby Kennedy for President’
Netflix’ ‘Bobby Kennedy for President’ – we had the chance to catch up with the Archival Producer, Rich Remsberg releases of 2018.
Archive Valley was thrilled to attend MIPDoc 2018. The event, dedicated to non-fiction programming, hosts 700 participants from over 50
For French iconographer and archive researcher Fabrice Héron, the job of archive researchers is “at the crossroads between [that of] historian and journalist.” We caught up with Fabrice to learn about his latest work and hear his thoughts on the future of archival research in the television and film industries in France and beyond.
We have prepared for you a short selection of films from this year’s edition of HotDocs that we expect to
We’ve all encountered stock footage whether in advertisements, or even in documentary films: ready-made footage that is used by a creator to illustrate part of a narrative or to create a certain aesthetic. However, though archive footage technically serves the same role, there are some fundamental differences between stock and archive footage that are important when trying to understand pricing, and the rights required to use the footage.
More and more archive footage is becoming readily available to license from massive commercial film and photo licensing companies like Getty, Adobe, and many others, every day. Despite this, there are worlds of unseen footage out there, and fast-growing documentary audiences crave new ways to experience the past. Today more than ever, it is extremely important for content creators and archive researchers to diversify their sources to set their productions and storytelling apart.