In this episode of our series, Global Image Works’ Jessica Berman Bogdan and Cathy Carapella discuss the ins and outs of sourcing and clearing material related to the music industry for documentary film and television productions. From crowdsourcing fan footage, to budgeting, to understanding the multiple kinds of rights associated with music and live performance footage, they shared some key advice for producers and archive researchers looking to create lasting works about the music, it’s creators and the performers that bring it to life.

“This Changes Everything” world premiere at TIFF 2018. Dir by Tom Donahue,the documentary explores the misrepresentation of women in the entertainment industry

Let’s forget about OTT and TV screens for a minute, because history is not anymore intended to be told only

Why and when did you start being interested by archives, History and Heritage in general? I was interested in the

Netflix’ ‘Bobby Kennedy for President’ – we had the chance to catch up with the Archival Producer, Rich Remsberg releases of 2018.

Sheffield Doc/Fest is UK’s biggest documentary festival welcoming 32,700+ visitors each year, including more than 3,500 industry professionals from over

Licensing agreements can be hard to navigate and no two agreements at the same. We break down the components of common types of licensing agreements to help producers better plan their archival research.

Archive Valley was thrilled to attend MIPDoc 2018. The event, dedicated to non-fiction programming, hosts 700 participants from over 50